1.
Invisible Women
Wearable Sculpture and Photography
Billboard Project
Arts Council Collection partnered with Southampton City Art Gallery and ‘a space’ arts
April 2023
2.
Fly Like a Butterfly
Wearable Sculptures, Live Performances, Films, and Exhibitions
Arts Council National Loterry Project Grant
November 2022 - June 2023
Fly Like a Butterfly
Live Performance
Art in the Garden
Evergreen, Trampers Lane, North Boarhunt, Hampshire, PO17 6BU
26th May 2023
Fly Like a Butterfly
Installation/Live Performance/Film
Making Space
2 Bishopstoke Rd, Leigh Park, Havant PO9 5BN
11th -15th April 2023
Fly Like a Butterfly
Live Performance
West Street, Havant, Hampshire
December 2022
Fly Like a Butterfly
Installation
Grad Race Exhibition
Bridport Arts Centre
14 February - 1 April 2023
Fly Like a Butterfly
Live Performance
Bridport Arts Centre
February 2023
Fly Like a Butterfly
Live Performance
Winter Sculpture Park 2023, London
Gallery No.32
February 2023
Fly Like a Butterfly
Live Performance
Festival of Lights/Lantern Parade
We Shine Portsmouth
November 2022
3.
Aesthetica&StreetLife Changing Room Award 2022
Site-Specific Installation
The StreetLife, York
November 2022
4.
Searching for a Place to Belong
Photography/Film
EcoSuites Artist Residency, Tristinika Beach, Greece
May 2022
5.
Searching for a Place to Belong P
Installation/Film
Little Forest Open Competition 2022 winner
21st May - 4th June 2022
4th June 2 pm Artist Talk & Networking Event
Evergreen, Trampers Lane, North Boarhunt, Hampshire, PO17 6BU
6.
Search to Belong
Performances, Wearable Sculptures, Installations, and Films
Arts Council National Lottery Project Grant
August 2021 - January 2022
‘Search to Belong’ is a new project by Olana Light involving a series of wearable sculptures, performances, installations, and films, supported by public funding from the National Lottery through Arts Council England and ‘a space’ arts’ Lucky Dip Bursary scheme.
Following Olana’s personal experiences of settling in a foreign country, balancing parenthood with pursuing a ‘full-time’ career in the arts, and navigating a world that is at once market-oriented but also stimulated by her passion for community engagement, ‘Search to Belong’ reflects the multiplicity of identity and the never-ending pursuit for belonging. Exploring notions of the ‘self and its connection with the body and others in the world, this work presents new perceptions by challenging audiences to accept the absurdity of the Other.
Viewers are invited to observe the story of two creatures of an unidentified nature - neither human nor animal, yet simultaneously both. Embodied in a human-like form with reptilian skin, and covered with scales from recycled beans bag balls, these creatures are ‘Other’ to the whole world but ‘Native’ to each other.
After finding each other in the reality of our world, they undergo a conventional wedding ceremony in a registry office and depart on a honeymoon to a distant land. Together, the creatures find anchoring points to a world that struggles to accommodate them. With the flow of time, the couple metamorphoses into a singular organic being.
The transformed being grown larger sheds its old plastic skin for a moss shell, and requires a different ecosystem to maintain it as a new ‘organon’. Back to searching for a new abode, the creature is again a nomad, searching the nooks and crannies of the world to find its peace in the vastness of nature.
Relationships between bodies are at the heart of the narrative of ‘Search to Belong’. This coming together suggests that love and compassion for our fellow creatures is the pathway to creating a ‘we-world’- an inclusive environment at the intersection of all systems, a realm in which everybody belongs. This pathway is like a hike in a mountain range. Climbing toward each peak, we are extending the physical and psychological limits of the body, moving away from the already explored environment below.
Withdrawing from what we know, we are actively in constant renewal, subverting the body until it is a formation, rather than a form. This constant process of formation is a vital condition of existence, the means of reaching or rather building the ‘we-world’ - “one must live to build one’s house, and not build one’s house to live in” (Bachelard, 1957).
Search to Belong
Live Performance
Lucky Dip Exhibition
God's House Tower
Tower Quay, Southampton, SO14 2NY
15th October - 7th November 2021
Search to Belong
Live Performance and Installations
Arches Open Studios
Captain's Place, Southampton, SO14 3FE
25th - 26th September 2021
Search to Belong
Live Performance, Wearable Sculptures, Installations and Films
Lucky Dip Exhibition
God's House Tower
Tower Quay, Southampton, SO14 2NY
15th October - 7th November 2021
Search to Belong
Live Performance, Moving Image
The Imaginarium of Dreams
We Shine Festival
The Studio Theatre, Portsmouth Guildhall, PO1 2AB
19th November 2021
Search to Belong
Live Performance
Above Bar Street, Southampton, SO14 7DU
26th September 2021
7.
Let It Breathe
Installation
Commissioned by 'a space' arts
92 Old Northam Road, Southampton, SO14 0PB
7th January - 13th March 2022
Our lungs are two organs inside our chest filling with air as we breathe in. However, the most important function of the lungs is to carry movements of the mind, speech, and body.
Referring to my personal experience of lung surgeries during the lockdowns – when the illness had painstakingly shifted my life – this display meditates on a chance as a conductor that orchestrates our encounter with the world. “Where the lung is like a horse, and the mind is the rider if there is something wrong with the horse the rider will not be able to ride properly” (Have Carel, 2016). I hope to break down the everyday experience of space and create a disorientated environment, moving away from our atomised perception of the world.
Imagining the Hidden Wardrobe as a creature with a unique system of organs, my new immersive exhibition sees lung-like sculptures fill the exhibition space, representing the significance of this vital organ and its functions whilst exploring the phenomenology of spatial perception.
8.
Portal Fantasy
Installation, Performance
K6 Gallery, Castle Ln, Southampton, SO14 2DT
4th December 2020 - 5th March 2021
Portal Fantasy is a new, site-specific installation commissioned by K6 Gallery.
Svetlana imagines the telephone boxes as a portal to another world; transient, transformative and disorientating. At the launch event, Svetlana will perform in a full-body sculptural costume. The work is fantastic and strange, exploring ideas of identity, persona, and otherness.
9.
Adapting To The New Reality Of Life Under Lockdown
Film, Performance, Wearable Sculpture
Sunny Art Prize 2nd Winner
Sunny Art Centre, 30 Grays Inn Rd, Holborn, London, WC1X 8HR
October 2020
Social interconnectedness offers human beings a sense of identity and a way to deal with our everyday emotions. The lockdown is a time of great anxiety and uncertainty. We feel the world has changed. Many people are stuck inside their homes and not able to visit other places. Everyday routines are boring and it seems pointless to even do ordinary tasks at home. Svetlana would like to create a new fantastical world that offers an escape from the daily routine, and our mundane way of seeing and challenges our sense of the everyday.
She wants to make familiar things unfamiliar, to remove normal life experiences, from familiar associations, to turn it over and to displace them. Svetlana would like to give an everyday domestic experience a new meaning, to change the way people perceive the things around them.
10.
We Are Not Ourselves
Performance, Installation, Wearable Sculpture, Video Projection
Goldsmiths University Of London
October 2020
11.
We Are Not Ourselves
Site-specific installation, Performance
Exhibition For/In Itself
Curated by Olga Tarasova
Chalton Gallery, 96 Chalton St, Somers Town, London, NW1 1HJ
14th February - 1st of March 2020
Our eyes, ears, hands, and organs are the entities that exist within the world, databanks that are responsible for supplying information. They are part of a fleshy network that creates cognition, but we cannot be sure if they retain their own cognitive power. It is this uncertain distribution that shifts perceptive agency into the perceived object. Subject and object mutate in and out of each other. The subject becomes stocked with power when an individual moment collides with reconstructed sensations. These sensations can take on an unnatural aspect, becoming unsettling and giving us the feeling that there is something lurking just out of view waiting to make itself known. This dissolution and reconfiguration of perception as multifaceted, rather than tethered to a fixed single point, open up peripheral spaces and alternative systems made known to us through the fuzzy cognizance of the fleshy networks.
FOR/IN ITSELF reflects on the interrelation of sense, space, and perception within artistic practices. Addressing the capability of the world to represent itself without being completely explicit, treating the experience as an open totality of inexhaustible synthesis. The exhibition explores the experience of an I, not in the sense of absolute subjectivity, but one that is being invisibly demolished and transformed. FOR/IN ITSELF abandons the concept of ‘the single space’ and attempts to coalesce objectivity through resuming contact with the sensorial.
For the exhibition artists, Matilda Moors and Olana Light imagine the gallery space as a creature, morphing it into a body. Moors address the idea of being drawn in, shifting from surface to innards. She takes the mouth as a starting point, abstracting it into fragmented parts that are reassembled within the confines of the gallery walls. While Light breaks down the everyday experience of the space and creates a disorientated environment in order to move away from our usual atomised perception of the world. This is played out through her installations which are inhabited by an inhuman creature that comes to life in her performances.